Cinematic Skepticism

"Because of its automatic way of recording reality, film has a privileged relation to the problem of skepticism. If early film theorists celebrate cinema for overcoming skeptical doubt about the power of human vision, recent film philosophers argue that our post-photographic, digital cinema is heading towards a general acceptance of skepticism, as though nothing on screen has anything to do with reality any longer. Emerging from the interaction of Stanley Cavell's and Gilles Deleuze's film-philosophies, Cinematic Skepticism challenges both these views. Jeroen Gerrits takes the issue of skepticism beyond concern with knowledge, turning skepticism into an ethical problem that pervades film history and theory. At the same time, he rethinks a Cavello-Deleuzian approach across the digital and global turns in cinema. Combining clear explanations of complex philosophical arguments with in-depth analyses of contemporary films (Grizzly Man, Amélie, Three Monkeys, and The Headless Woman), this book traces how cinema invents ways of dis/connecting to the world"--

שנה

2019

שפה

English

הוצאה

State University of New York Press

מהדורות

1

עמודים

220

ISBN

9781438476636

מקור הנתונים: Wikidata