Infinite Regress

In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career. Taking into account underacknowledged works and focusing on the conjunction of the machine and the commodity in Duchamp's art, Joselit notes a consistent opposition between the material world and various forms of measurement, inscription, and quantification.

שנה

1998

שפה

English

הוצאה

The MIT Press

מהדורות

1

עמודים

262

ISBN

9780262600385

מקור הנתונים: Wikidata