Italian neorealist cinema

The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma citta aperta and Paisa and Vittorio De Sica's Ladri di biciclette.

שנה

2007

שפה

English

סדרה

Toronto Italian studies

הוצאה

University of Toronto Press

מהדורות

1

עמודים

504

ISBN

9780802097613

מקור הנתונים: Wikidata