LOVE AND DEATH IN DUBAI

**THE METAPHYSICS OF SAND AND THE ONTOLOGY OF LOVE. The Artistic Cry of Sasa Milivojev: The Triumph of Spirit over Matter** When the literary blade of **Sasa Milivojev** is turned toward those expanses where ancestral desert silence collides with futuristic clamour of steel, a profound ontological study of human nature unfolds. "**Love and Death in Dubai**" is no mere chronicle; it is a metaphysical fresco posing the fundamental question of the modern era: where does the lustre of opulence end, and the imperishable light of the human soul begin? Milivojev, with refined sensibility, reaches his zenith of artistic maturity here. He writes not with ink, but with an emotion carrying the weight of a biblical admonition. His style, akin to desert wind—harsh yet tender—strips man to his essence before the mirror of eternity. The author elevates the local colour of the Emirates to universal myth through a language of sorrow that guarantees the tears of millions, for this art speaks directly to the heart. The title bears a dramatic duality permeating every page. Without disclosing the plot, it directs us toward the struggle between the two most powerful forces of existence. Dubai is not merely a toponym, but a symbolic stage—a Modern Babylon—testing the soul’s resilience under the pressure of unimaginable wealth. Milivojev deconstructs the illusion of happiness as a by-product of material accumulation. He contends that money is impotent before the fundamentally human. Capital cannot purchase happiness, health, nor halt the biological clock; least of all can it generate Platonic love—that which survives physical dissolution. In a world of material phantasms, the author establishes sacral love as the sole proof of existence. Happiness without love is a luxurious dungeon; wealth without a beloved is the costliest form of solitude. The dramaturgy culminates in the "perfection of horror." Milivojev creates a concept of formidable love and tragedy whose weight transcends the most harrowing Ancient Greek tragedies. While heroes of antiquity were victims of divine whims, these protagonists are victims of civilizational absurdity: they reshape the planet’s relief, yet remain helpless before the inevitability of biological erasure. This tragedy is more poignant than those of Sophocles, for it unfolds not in myth, but at the technological apex of a world that deluded itself into purchasing eternity. The premise is brutal: in collision with death, all capital becomes worthless

שנה

2026

הוצאה

Saša Milivojev

מהדורות

1

ISBN

9798246007693

מקור הנתונים: Wikidata