Opera As Soundtrack

Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focuses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony.

שנה

2016

שפה

English

הוצאה

Taylor & Francis Group

מהדורות

7

עמודים

224

ISBN

9781138251526

מקור הנתונים: Wikidata