The death of the actor

In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.

שנה

2014

שפה

English

הוצאה

Taylor & Francis Group

מהדורות

6

עמודים

192

ISBN

9780415867665

מקור הנתונים: Wikidata