
The Song of Solomon
O. Talmadge Spence · 1996
על הספר
The Song of Solomon is truly one of the most neglected serious studies of all the Books of the entire Bible. Yet, in former days, serious Christian scholars poured over every one of the 2,655 words in the King James Version of this Song. Our Puritan Fathers, singularly, dealt with it, with the revered John Gill extending the widest guidelines of interpretation for all who would dare pursue further study for future days. Gill’s exposition and book publication of 1854 resulted from his 122 sermons faithfully rendered to his own Congregation, and as he says, “the Congregation where God in his providence has placed me, and were designed only for their use, profit, and edification.” Several observations should be made to the reader which was cautionary to the writer for the reading and further study of this book. First, it has been observed by others that the Hebrews “had no stage” in their artistic development. Therefore, drama becomes the lesser emphasis under the larger attachment to lyric poetry itself. This, however, does not mean there is no narrative to The Song; it simply underlines the more weightier descriptions of love to be sung or chanted. Second, in any consequential piece of literature there is at least the implication of narrative, plot, character, setting, and theme, and yet poetry carries with it the greater purpose of explicit beauty, whether the drama be there or not. The higher this form of beauty is present and used, the more important it is to be careful about “reading between the lines.” It is this latter liberty that adds danger and caution must be taken by the interpreter. Third, two observations must be maintained throughout The Song. They are: whenever parts of the body are given description which seem to be unseemly, it should be understood as a description of the garments covering that part of the body; and second, we should see clearly the love in this Song, between man and woman, to be understood as natural stimulants, free and spontaneous, rather than unnatural stimulants of lust. Fourth, it must be dogmatically asserted that there are disclosures of the secret intimacies of love without immorality. There are no obscenities in The Song. The Western World and contemporary connotations of our unnatural inventions of mere “romance” is a far-cry from the home trainings of Palestine and some adjacent geographies of the Bible Lands in early days, and much lingers there now. This Book was revealed in such a time and among such a people
פרטי הספר
- שנה
- 1996
- שפה
- English
- הוצאה
- Foundations Pr
- מהדורות
- 1
- עמודים
- 272
- ISBN
- 9781882542147
מקור הנתונים: Wikidata
עוד של O. Talmadge Spence






