
Theatre and Consciousness
Daniel Meyer-Dinkgrafe · 2005
על הספר
Many disciplines of scholarship are now involved in the study of consciousness: philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. Scholarly interest in the relationship of consciousness to theatre is also growing steadily. This book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: What inspires the dramatist to write a play? ; How do different plays reflect human consciousness? ; What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? ; Should actors be personally involved with the emotions they have to portray? ; Are puppets or marionettes superior to actors? ; How to account for the designer's combination of creativity and practical skill? ; How does theatre affect the spectator?
פרטי הספר
- שנה
- 2005
- שפה
- English
- הוצאה
- Intellect Ltd
- מהדורות
- 1
- עמודים
- 256
- ISBN
- 9781841501307
מקור הנתונים: Wikidata
עוד של Daniel Meyer-Dinkgrafe

