Theodor Adorno and Film Theory

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

שנה

2013

שפה

English

הוצאה

Brand: Palgrave Macmillan

מהדורות

3

עמודים

173

ISBN

9781137306135

מקור הנתונים: Wikidata