African Filmmaking
Kenneth W. Harrow · 2017
Where to buy
Amazon’s price changes daily, so the most accurate place to see it is there, at the moment you buy.
View on AmazonThis is an affiliate link: if you buy through it, the site earns a small commission at no extra cost to you, which helps us bring quality content and maintain the site. As an Amazon Associate we earn from qualifying purchases.
About the book
"This volume attempts to join the disparate worlds of Egyptian, Maghrebian, South African, Francophone, and Anglophone African cinema--that is, five 'formations' of African cinema. These five areas are of particular significance--each in its own way. The history of South Africa, heavily marked by apartheid and its struggles, differs considerably from that of Egypt, which early on developed its own 'Hollywood on the Nile.' The history of French colonialism impacted the three countries of the Maghreb--Tunisia, Algeria, and Morocco--differently than those in sub-Saharan Africa, where Senegal and Sembène had their own great effect on the Sahelian region. Anglophone Africa, particularly the films of Ghana and Nigeria, has dramatically altered the ways people have perceived African cinema for decades. History, geography, production, distribution, and exhibition are considered alongside film studies concerns about ideology and genre."--Provided by publisher.
Book details
- Year
- 2017
- Language
- English
- Publisher
- Michigan State University Press
- Editions
- 1
- Pages
- 288
- ISBN
- 9781609175276
Data source: Wikidata
More by Kenneth W. Harrow






