Expressive intersections in Brahms
Heather Anne Platt, Peter Howard Smith · 2012
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Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms's most "absolute" works [Publisher description].
Book details
- Year
- 2012
- Language
- English
- Series
- Musical meaning and interpretation
- Publisher
- Indiana University Press
- Editions
- 1
- Pages
- 305
- ISBN
- 9780253357052
Data source: Wikidata