Iconography and the professional reader
Kathryn Kerby-Fulton · 1999
Where to buy
Amazon’s price changes daily, so the most accurate place to see it is there, at the moment you buy.
View on AmazonThis is an affiliate link: if you buy through it, the site earns a small commission at no extra cost to you, which helps us bring quality content and maintain the site. As an Amazon Associate we earn from qualifying purchases.
About the book
Oxford Bodleian Library Douce 104 is the only extant manuscript of William Langland's fourteenth-century poem Piers Plowman that is both illustrated and annotated, thereby providing material evidence of interpretation by professional readers - the artists, scribes, and annotators who constructed the work's meaning in an early fifteenth-century Anglo-Irish colonial context. Kathryn Kerby-Fulton and Denise L. Despres examine this evidence for what it can tell us about the politics of late-medieval manuscript preparation and the scholarly direction of manuscript use. A study of great significance for medieval scholars, Iconography and the Professional Reader forcefully argues the importance of professional readers and utility-grade manuscripts in comprehending the meditative, mnemonic, performative, and subversive nature of late-medieval reading.
Book details
- Year
- 1999
- Language
- English
- Publisher
- University of Minnesota Press
- Editions
- 2
- ISBN
- 9780816688258
Data source: Wikidata
More by Kathryn Kerby-Fulton
