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John Copeland

Amie Corry, Hugh Allan · 2018

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About the book

Veering between representation and abstraction, Copeland's paintings feature tactile, impasto surfaces, rendered in oil and acrylic paint. Professing an interest in "any arrangement that involves interaction between the figures", Copeland often situates his subjects in social settings - around a table, playfully balanced on one another's shoulders, or surveying a painting as a group. The figures remain, however, deeply ambiguous, and are set against abstract backgrounds populated by curious, amorphous shapes. The unnerving quality of the imagery is heightened by the appearance of pairs or mirrored human forms, as in The Bullet Screams Past (2015).

Book details

Year
2018
Language
English
Publisher
Other Criteria Books
Editions
1
Pages
116
ISBN
9781906967901

Data source: Wikidata

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