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Rudolf Polanszky

Hans Ulrich Obrist, Francesco Stocchi · 2020

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About the book

A contributor to the artistic landscape of Vienna, Polanszky makes multidisciplinary works that embrace chance occurrence. His fundamentally improvisational practice marries conceptual philosophies with varied modes of production, resulting in compositions that oscillate between dual identities as concrete objects and symbols of subjective perception. Growing up in the immediate wake of the Viennese Actionist movement of the 1960s, Polanszky began his practice making satirical films, paintings, and performance art pieces that countered the Actionists' graphic focus on living bodies in their own performance works. To create his Sprungfedernzeichnungen (Coil Spring Drawings, 1983-85), for example, he bounced around a paper-covered room atop a large metal spring, wielding an elongated paintbrush in each hand, leaving behind painted and graphic traces of his uncontrolled motions.

Book details

Year
2020
Language
English
Publisher
Rizzoli International Publications, Incorporated
Editions
1
Pages
97
ISBN
9780847869107

Data source: Wikidata

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