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Shakespeare's Comic Theory

Thomas Allen Nelson · 1972

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About the book

Building on a foundation of defined terminology and the critical ambience of Shakespearean comedy, Thomas Nelson proceeds to demonstrate through a detailed discussion of Pericles, Cymbeline, The Winter's Tale and The Tempest his controlling thesis, that, contrary to a modern propensity for reductive systemization, "Shakespeare was not as interested as his readers in employing his plays as pegs on which to hang a series of 'meanings' in the traditional sociological, psychological, moral, or religious sense..." -- from book jacket.

Book details

Year
1972
Language
English
Publisher
Walter De Gruyter Inc
Editions
1
ISBN
9783108002817

Data source: Wikidata

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