The Invention of Painting in America (Leonard Hastings Schoff Lectures)

"In this study David Rosand shows how early American painters transformed themselves from provincial followers of the established traditions of Europe into some of the most innovative and influential artists in the world. Moving beyond simple descriptions of what distinguishes American art from other movements and forms, The Invention of Painting in America explores not only the status of artists and their personal relationship to their work but also the larger dialogue between the artist and society. Rosand looks to the intensely studied portraits of America's early painters - especially Copley and Eakins and the landscapes of Homer and Inness, among others - each of whom grappled with conflicting cultural attitudes and different expressive styles in order to reinvent the art of painting. He discusses the work of Davis, Gorky, de Kooning, Pollock, Rothko, and Motherwell and the subjects and themes that engaged them."--BOOK JACKET.

First sentence: America's artistic "time of renown" was not to arrive for another century and a half, its "risen day" accompanying the emergence of the nation as the leading world power in the wake of World War II.

Year

2004

Language

English

Publisher

Columbia University Press

Editions

2

Pages

246

ISBN

9780231132961

Data source: Wikidata