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Theodor Adorno and Film Theory

B. Wall · 2013

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About the book

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

Book details

Year
2013
Language
English
Publisher
Brand: Palgrave Macmillan
Editions
3
Pages
173
ISBN
9781137306135

Data source: Wikidata