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poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Нарыв
Ржавчина
Вестники
Восковая свеча
Mirra Lokhvitskaya
Есть что-то грустное и в розовом рассвете
Mirra Lokhvitskaya
Триолет
Mirra Lokhvitskaya
Catullus 72
Catullus
Ты свята, но я Тебе не верю
Alexander Blok
Избранный
Nikolai Stankevich
Элегия
Nikolai Stankevich
Утешение
Nikolai Stankevich
Отрывки из стихотворной повести
Nikolai Stankevich
Экспромт
Nikolai Stankevich
Эпиграмма
Nikolai Stankevich
Mendilimde Kan Sesleri
Edip Cansever
Pemzek Levenez Maria
[Unknown author of Pemzec Leuenez Maria]
Clepsydra
Camilo Pessanha
A la patria
Leopoldo Lugones
Las ciudades
Leopoldo Lugones
Los hombres
Leopoldo Lugones
The Song of Bread
Daniel Varujan
Had we never loved so kindly
Mikhail Lermontov
Homer
Vasily Zhukovsky
Sentenz
Mikhail Lermontov
Атлантида потонула
Багряное Солнце
Без ошибки
Без предела
Безумие горя
Yakov Polonsky
Белые берёзы
Бесподобному основателю просвещения в России
Semyon Bobrov
Битый пёс
Pyotr Vyazemsky
Благовест
Бледный, хилый, всё ж люблю я
Maksim Bahdanovič
Бог живой
Konstantin Balmont
Бой часов на Спасской башне
Nikolai Stankevich
Будто бы Романовым
В альбом. Из Байрона
Mikhail Lermontov
В гостиной
В дымке
В крымских горах
Ivan Bunin
В садах
В театре
Весна
Весь воздух
Весь круг
Вечер
Вкус возраста
Ippolit Bogdanovich