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poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Косогор
Konstantin Balmont
Костры
Котенок и Скворец
Ivan Krylov
The Cauldron and the Pot
Ivan Krylov
Кошмар
Alexander Blok
Кошмары
Innokenty Annensky
Koshnitsa
Konstantin Balmont
Крадущееся завтра
Край ты мой
Aleksey Konstantinovich Tolstoy
Край ты мой заброшенный
Sergei Yesenin
Krasavitsa
Alexander Pushkin
Красная Пасха
Maximilian Voloshin
Красная винтовка
Demyan Bedny
Красное крыльцо
Konstantin Balmont
Красное яйцо
Alexander Polezhayev
Красные капли! Земля восстонала
Красный бант в волосах!
Marina Tsvetaeva
Красный цвет
Красу земли сгубил жестокий
Grand Duke Konstantin Konstantinovich of Russia
Краёв чужих неопытный любитель
Alexander Pushkin
Крезов Эрот
Gavrila Derzhavin
Кремль
Nikolay Ogarev
Креолка
Eduard Bagritsky
Крест (Корней Иванович Чуковский, вот…)
Nikolay Gumilev
Крест
Symeon of Polotsk
Крест
Nikolay Gumilev
Крестины
Marina Tsvetaeva
Крестьянин и Лисица
Ivan Krylov
The Peasant and the Worker
Ivan Krylov
Крестьянская песня
Vasily Bashkin
Крестьянский праздник
Gavrila Derzhavin
Кровных коней запрягайте в дровни!
Marina Tsvetaeva
Кропоткиной
Mikhail Lermontov
Крохоборам
Pyotr Vyazemsky
Круги
Круговорот
Konstantin Balmont
Кругом далёкая равнина
Alexander Blok
Кругом не молкнет птичий голос
Vladimir Shileyko
Кружка
Marina Tsvetaeva
Крылья жизни
Dmitry Venevitinov
Кто-то шепчет и смеётся
Alexander Blok
Кто в самой глубине безумства пребывает
Кто в утро зимнее, когда валит
Mikhail Lermontov
Кто вождь у нас невеждам и педантам?
Pyotr Vyazemsky
Кто знает? Никто здесь не знает
Boris Ûlianovič Poplavskij
Кто ты? Друг? — Не друг. — А кто же?
Dmitry Merezhkovsky
Кто увидит искру? Виден только след
Fyodor Sologub
Кто хочет, пой
Alexander Pushkin