booktheque

poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Мы — разных областей мышленья
Konstantin Sluchevsky
Мысли о табаке
Ivan Pnin
Мысли сердца
Konstantin Balmont
Mysl
Nicholas Cholodkovsky
Мыши
Ivan Krylov
Мыши
Vladislav Khodasevich
Мышиный горошек
Nicholas Cholodkovsky
Мёртвая Царевна
Vyacheslav Ivanov
Мёртвый город
Vasily Bashkin
Н. А. Языковой
Nikolay Yazykov
Н. Г. Тройницкому
Yakov Polonsky
Н. Д.
Ivan Nikitin
Н. Д. Киселёву
Alexander Pushkin
Н. И. Второву
Ivan Nikitin
Н. К. П. и Т. и Л. Н. Толстой
Н. М. Языкову
Anton Delvig
Н. Н. Арсеньеву
Mikhail Lermontov
Н. Н. В.
Marina Tsvetaeva
Н. П. Р.-п-ву
Dmitry Minaev
Н. Ф. Ивановой
Mikhail Lermontov
На Альбанских горах — что за дьявол такой?
Ivan Turgenev
На Баболовский дворец
Alexander Pushkin
На Великопольского
Alexander Pushkin
На Воронцова
Alexander Pushkin
На Гнедича
Alexander Pushkin
На Женевском озере
Yakov Polonsky
На Камне солнцевом
Konstantin Balmont
<На Каченовского> («Клеветник без дарованья...»)
Alexander Pushkin
На Красавицу
Gavrila Derzhavin
На Ланова
Alexander Pushkin
На Лосенкова
Gavrila Derzhavin
На Мальтийский орден
Gavrila Derzhavin
На Н. А. Полевого
Pyotr Vyazemsky
На Н. Полевого
Nikolai Pavlov
На Надеждина (Надеясь на моё презренье)
Alexander Pushkin
На Новый 1797 Год
Gavrila Derzhavin
На Новый год
Gavrila Derzhavin
На Пасхе
Alexander Blok
На Полюс! На Полюс! Бежим
На Поповского
Gavrila Derzhavin
На Рыбушкина
Alexander Pushkin
На Северном море
Nikolay Gumilev
На Синем Море
На Сороку в защищение Кукушек
Gavrila Derzhavin
На Страстной неделе
Grand Duke Konstantin Konstantinovich of Russia
На Ф. В. Булгарина
Nikolai Pavlov
На Ф. Н. Глинку
Alexander Pushkin
На Чемесова
Gavrila Derzhavin