Moved by Love

"In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet is was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness - even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so.". "Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body, and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statues through the making of art. He became a model for creative artists, living happily with his statues come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with an erotomania their art could not quench. Even so, Sheriff demonstrates that the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for women - and creative women took full advantage of them."--BOOK JACKET.

First sentence: What moves the artist to create, the spectator to respond?

Year

2004

Language

English

Publisher

University Of Chicago Press

Editions

5

Pages

320

ISBN

9780226752884

Data source: Wikidata