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poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Vuestra soy
Y es una tristeza más en mi tristeza
Y pasa y no sola
Evaristo Carriego
Ya no mana la fuente
Rosalía de Castro
Ya no más
Ya pasó la estación de los calores
Rosalía de Castro
Ya que conozco ahora
Manuel Botelho de Oliveira
Ya que para despedirme
Sor Juana Inés de la Cruz
Ya sé por que es
Ya verás
Yandubayú y Liropeya
Yo en mi lecho de abrojos
Rosalía de Castro
Yo escucho los cantos
Antonio Machado
Yo persigo una forma
Rubén Darío
Yuyos secos
¡Antes de matar
¡Ay Dios
¡Carne
Rubén Darío
¡Cigarra!
Federico García Lorca
¡Ea!
Rosalía de Castro
¡Jamás lo olvidaré!... De asombro llena
Rosalía de Castro
¡La copa es de oro fino!
Rosalía de Castro
¡Oh
¡Oh
Antonio Machado
¡Oh
¡Oh figuras del atrio más humildes
Antonio Machado
¡Qué difícil es...
Antonio Machado
¿Por qué?
Salvador Díaz Mirón
¿Quién oye?
Égloga Venatoria
Fernando de Herrera
Óscar y Malvina
Última
Última Necat
Última lágrima
Único consuelo
Clemente Althaus
Íntimas
Evaristo Carriego
Por unos puertos arriba
Un ave errante
Ships
Cruz e Sousa
Pulchra ut Luna
Вездесущность и промысл божий
Vasily Kapnist
Тщета крамолы противу памазанника божия
Vasily Kapnist
Благовестие
Он вращающий колесо
Amenti
Konstantin Balmont
Египетский бог
Верный
Небесная дорога