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poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Рубище
Где б я ни странствовал
Поля египетские
Нил
Числа
Завет Пифагора
Зачем
Белый призрак
В снежной замети
На смерть друга моего
Vasily Kapnist
Ода на уныние
Vasily Kapnist
Ода на воспоминание Пленириной кончины
Vasily Kapnist
Ода на счастие
Vasily Kapnist
Ода на смерть сына
Vasily Kapnist
Kunjini
Laxmi Prasad Devkota
Лисица и журавль
Alexander Sumarokov
Проносились над островом зимние шквалы и бури
Ivan Bunin
Жуки и пчелы
Alexander Sumarokov
Осел и хозяин
Alexander Sumarokov
Скупой
Alexander Sumarokov
Мыший суд
Alexander Sumarokov
Affinity
Florence Earle Coates
Adieu
Florence Earle Coates
Молодой король
Ivan Bunin
Маме моей
Natalia V. Krandievskaya
Апреля первое число
Alexander Sumarokov
TBC
Eduard Bagritsky
Кокушка
Alexander Sumarokov
Солнце и лягушки
Alexander Sumarokov
Полдень
Пир
Звёздные знаки
Огненный мир
Котловина
Люби
Два голоса
Konstantin Balmont
О надежде на бога
Antiochus Kantemir
Предощущение
Рождение музыки
Шаман
Два покойника
Mikhail Kheraskov
Всяк на свете сем хлопочет
Mikhail Kheraskov
Сонет и эпитафия
Mikhail Kheraskov
Древо Туле
Пляска колдуна
Svetlyanki (Balmont)
Лесть
Mikhail Kheraskov
Желания
Mikhail Kheraskov