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poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Гусар
Denis Davydov
Гуси-лебеди летели через кострицыны сени
Гусли
Густой зелёный ельник у дороги
Ivan Bunin
Д. В. Давыдову
Vasily Zhukovsky
Д. В. Давыдову
Alexander Bestuzhev
Д. В. Давыдову
Nikolay Yazykov
Д. Н. Свербееву
Nikolay Yazykov
Да! Теперь решено. Без возврата
Sergei Yesenin
Да, братцы, это так, я не под пару вам
Aleksey Konstantinovich Tolstoy
Да
Konstantin Sluchevsky
Да, нынче нравятся «Записки», «Дневники»!
Konstantin Sluchevsky
Да
Konstantin Mazurin
Да
Да
Konstantin Aksakov
Да
Konstantin Sluchevsky
Да. Так диктует вдохновенье
Alexander Blok
Да лёгкие хлопья летают
Давнишняя просьба
Yakov Polonsky
Давно в любви отрады мало
Afanasy Fet
Давно ль под волшебные звуки
Afanasy Fet
Дагестан
Ivan Bunin
Дай, Никита, мне одеться
Alexander Pushkin
Дайте
Konstantin Sluchevsky
Далеко мы с тобой на лыжах
Nikolay Gumilev
Далеко на севере Капелла
Ivan Bunin
Дали слепы
Alexander Blok
Дальний шум фонтана
Valery Bryusov
Далёкий друг умчавшегося детства
Vladimir Mitrofanovich Golikov
Далёко
Konstantin Aksakov
Дамон
Даниил
Marina Tsvetaeva
Даны мне были и голос любый
Marina Tsvetaeva
Дачный домик заколочен
Fyodor Sologub
Два Зороастрова гения
Два брата
Mikhail Lermontov
Два великана
Mikhail Lermontov
Dva golosa
Konstantin Balmont
Два дерева хотят друг к другу
Marina Tsvetaeva
Два лица у всех нас в мире
Alexey Lozina-Lozinsky
Два прощания
Aleksey Koltsov
Два разговора в книжной лавке
Pyotr Vyazemsky
Два рыцаря
Mikhail Longinov
Два счастья
Fyodor Glinka
Два трупа
Два цветка ко мне на грудь
Marina Tsvetaeva
Два чувства дивно близки нам
Alexander Pushkin
Две воды
Konstantin Balmont