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poetry (9,335)

Poetry is a literary form that puts the sound, rhythm, and shape of language at the center. Unlike prose, it does more than tell you what happens. It also works through how the words feel and sound, and through meanings that go beyond the plain, literal level. A poem can be very short or long, tightly structured or completely free.

Poetry has roots in very old oral and written traditions, and it has developed differently across cultures and languages. Over time, it has appeared in chants, ceremonial forms, songlike recitation, printed collections, and intimate personal writing. What stays constant is the attention to pattern: rhythm, repetition, rhyme, meter, and other sound-based effects that shape the reading experience.

Common features include concentrated imagery, emotional intensity, and language that is packed into a small space. Some poems use rhyme and meter; others break from them to create a different mood or voice. A clear example from this list is The Rime of the Ancient Mariner by Samuel Taylor Coleridge, which shows how a poem can tell a story while keeping a strong musical feel and atmosphere.

If you want a good starting point, begin with books that are approachable in different ways. Leaves of Grass by Walt Whitman is a good pick if you like a broad, expansive voice and a freer style. Annabel Lee by Edgar Allan Poe works well if you want something short, focused, and emotionally direct. Les Fleurs du mal by Charles Baudelaire suits readers drawn to darker, highly crafted poetry. The Rime of the Ancient Mariner is a strong choice if you like a narrative poem with atmosphere. Kubla Khan is a good starting point if you want to see how language can feel dreamlike rather than plot-driven.

Writers worth knowing here include Charles Baudelaire, with his dense imagery and strong mood; Walt Whitman, whose voice feels open and expansive; Edgar Allan Poe, who writes with sharp emotional focus; Samuel Taylor Coleridge, who blends story, rhythm, and imagination; and Alexander Pushkin, Marina Tsvetaeva, Alexander Blok, Konstantin Balmont, Igor Severyanin, Nikolay Gumilev, Francisco Quevedo, and Mikhail Lermontov, all of whom appear among the key names associated with the genre here.

Две дороги
Fyodor Glinka
Две жизни
Aleksey Koltsov
Две красоты
Mirra Lokhvitskaya
Две лесные старушки и лесной старичок
Fyodor Sologub
Две луны
Pyotr Vyazemsky
Две любви
Innokenty Annensky
Две руки
Marina Tsvetaeva
Две чаши
Stepan Shevyryov
Двенадцатый год
Nikolay Gumilev
Двенадцать апостолов
Двенадцать патриархов
Движением несмелым
Eduard Bagritsky
Двоецарствие
Boris Ûlianovič Poplavskij
Двойная жизнь
Konstantin Balmont
Двойственный час
Konstantin Balmont
Двух станов не боец
Aleksey Konstantinovich Tolstoy
Двух — жарче меха! рук — жарче пуха!
Marina Tsvetaeva
Дев полуночных отвага
Osip Mandelstam
Дева-птица
Nikolay Gumilev
Девочка-смерть
Marina Tsvetaeva
Девушка
Nikolay Gumilev
Девушка безымянная
Igor Severyanin
Девушки
Nikolay Gumilev
Девятый час; уж тёмно; близ заставы
Mikhail Lermontov
Дездемона
Nikolay Gumilev
Декабрь
Konstantin Balmont
Декабрь морозит в небе розовом
Mikhail Kuzmin
Декабрьская сказка
Marina Tsvetaeva
Декорация
Innokenty Annensky
Делибаш
Alexander Pushkin
Дель-Аква-Тор
Igor Severyanin
Дельвигу (Мы рождены, мой брат названый)
Alexander Pushkin
Демон
Alexander Blok
Демон вдохновения
Alexander Polezhayev
День
Vladislav Khodasevich
День искупительного чуда...
Afanasy Fet
День поблёк
Alexander Blok
День проснется - и речи людские
Afanasy Fet
День угасший
Marina Tsvetaeva
День — плащ широкошумный
Marina Tsvetaeva
Деревенская песня
Grigory Khovansky
Деревенский бедняк
Ivan Nikitin
Деревня
Pyotr Vyazemsky
Дереву
Mikhail Lermontov
Деревья
Marina Tsvetaeva
Деревья
Marina Tsvetaeva
Деревья спутали свои ветки
David Burliuk
Десятая заповедь
Alexander Pushkin